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Funny how things happen. I was over at Weta today with Matt Grace photographing some chick for some magazine. Afterwards I came back to try and sort out the office I moved into a few months ago and I came across these.
That's Mike and me on the set of King Kong! (I say on 'the' set cos that makes it sound really impressive, when in fact as you can see it's only 'a' set. But still that's closer than most of you got so I can still gloat.) Anyway we were there helping LA photographer Art Streiber take some shots of various crew - you know the Oscar winner types.Please note the blue gel on the top shot, the warmer feel of the second shot, and the developing pot belly on the guy on the right (suck it in you fat bastard!).
I don’t know about the rest of you but I do find photography edifying for the soul. This year, for various reasons (and I could give you half a dozen) I haven’t done much photography for myself – especially when at home.And, I know, again for various reasons (and again I could give you those same half dozen), I haven’t been the most enthusiastic about photography this year – though this may come as a surprise to regular readers of this self-absorded ego boost, but I’m talking in generalisations here.However, I’ve started taking photos again. Mulling on a couple of ideas to see where they lead me. I think it helps that 1) I’ve had a lot of work the last couple of months and 2) I have two, possibly three, shows next year, out of town. That gives me reason.I’ve said it before (though I don’t think it was in any public forum kind of way) and I’ll say it again. I like who I am when I’m photographing. It constantly surprises me that I can be in a grump, go take a photo or two and feel like a completely different person. Long may it continue.Here then are two images I took on Sunday. Purely because I liked them in a Joel Sternfeld Stephen Shore kind of way.


This shot was my first "commercial" job, in that I was "commissioned" to take the photo, rather than it being my idea. And like most people's first commercial job it took a lot longer and cost more money than expected - after expenses I think I made about $100 to cover my time (about $14 an hour). Can't remember what I ended up shooting this on - think it may have been three 6x17 trannies comped together (not by me). Still it's quite a nice shot for what it is, and it should be pride of place in the Auckland home of the clients.
I know most of you aren't in Wellington, some of you aren't even in this country, but cos it's happening and it is all about me I'm letting you know that my first exhibition as curator is now on in Wellington at Photospace. I even made a website for it for those of you too far away or too lazy to see it in person. If you happen to be in, or passing through, Wellington in the next 3 weeks I urge you to pop in, have a look, buy a work, and grab a catalogue. It's good.Well it's okay. It's quite nice I spose. Nah seen better. It's shit. What a waste.File under: Art
That's Nifty and Brad (or Neville and Grant as they prefer to be known) carrying the soon to be famous (in NZ anyway) couch. The things you do eh?! And even though it's completely out of context for you all at the moment you may be impressed by the fact that I actually got to sit on the couch - albeit in the back of a 4WD heading up the mountain, but that's more than most of the crew got (not that I'm one to brag or anything).
It's a porch. It's at Simon's house. We did a shoot there one day. He took the money shots. I took this one.