
It was taken a couple of weeks ago by my friend and colleague Dean (here's his old website which is waiting to be updated). It was for a CEO shoot. I'm a CEO too, but we were shooting a different CEO that day. I was just the stand-in.
I've no idea why I took these shots. Don't even know where they were shot. I'm guessing Leicester Square. Maybe it had something to do with this. It was a long time ago. You can't expect me to remember everything. Anyway, they're quite cool.




Yeah okay so I know all these images are on my website, but seeing as it was the start of something much bigger, i.e. my conceit, I thought it was worth posting them here too. And also unless you've looked at my website you're unlikely to have seen them cos I didn't exactly advertise the show they were in.
Stolen from Amazon: "THE NATURE OF PHOTOGRAPHS by Stephen Shore, is an essential primer on how to understand photography by one of the world's most influential photographers. Growing out of a college course that Shore taught for many years, this book explores ways of looking at photographs from all periods and all types--from iconic images to found photographs, from negatives to digital files. Its aim is to describe the physical and formal attributes of a photographic print--the very elements that form the tools a photographer uses to define and interpret the content. In the end, Shore teaches us, on the most basic level, how a photograph "works."
These pictures contain black stilts. On this day I discovered that the Hasselblad 503CX with an 80mm f2.8 lens really isn't the best camera choice for shooting wildlife. For one, the lens really is too wide. Also it is a slow camera to focus - no auto focus here. And it has a lovely, full, resonant mirror slap which tends to frighten flighty birds (as seen below).


Oh look, there's a black stilt and a DoC worker - busy DoC working as ever, i.e. lots of standing around looking at stuff, bits of getting annoyed with hangers-on with cameras that frighten off the very birds you're standing around looking at.
That's the first real glimpse you get of the valley, as it opens up in front of you after cruising a few kilometres down a dirt road.
Climbing up the western side of the valley we got grand views north and south.
Looking north with Ben Avon pond in the foreground.
The Ahuriri Valley was one of those experiences which happen less and less for me now - old, jaded, and cynical as I am. My first view of the valley was quite literally jawdropping. Nothing prepares you for the view you get. The first part of the road you drive down is so mediocre that when the valley opens up in front of you it is a complete revelation. While the effect was lessened with subsequent trips, it still held me, and I suspect going back I will be hit again by the expanse and beauty.
It has a river. My guess is that it was the river that actually created the valley. It also has farm land.
And there's a mountain. It's an okay mountain, but it didn't really do it for me.
And this is the view from Lake Wanaka, from Wanaka township actually. Now that's nice.
just bits of stuff i do when i've nothing better to do, or more likely when i've got plenty else to do but can't be buggered
All images Copyright Andy Palmer 2006-2016, unless otherwise stated. Not to be used without permission.
Everything is spectacular in its way. It's all valuable. It's all of a piece.
Robert Adams
Slowly, step by step, picture by picture, his work began to have the look of having been made by someone who,
on trying to explain the world, and having failed, had been reduced to collecting it.
Patrick Pound